Found this set of three in the bins this weekend—Art Blakey on Prestige, the era with Hubbard and Shorter in the early 60s. Kyoto, likely becoming my favorite of the three, the vocal track on the A-side is a really unique edition. Although all three are truly fantastic records.
Since starting on my jazz journey about a year ago, I’ve realized how much I value drumming as part of the overall musical experience. Part of that (I think) is because I have a punk background… jazz albums that center the rhythm section just bring that fire, speed, and attitude that I always loved in punk music.
However, Blakey’s musicianship elevates the art form to a place I’m still struggling to fully comprehend, that’s how extra-ordinary I think it is. The a-side tracks on Free for All and The Freedom Riders, are two of the most powerful pieces of music I can ever remember coming across.
Other drummers have brought me to a similar singularity—Elvin Jones, Max Roach, even Pete La Roca (on Basra). But outside of Jones, I’m not sure there’s any real equivalent… in any genre.
Anyways, this is an Art Blakey appreciation post because I’m not sure he gets enough. Interested in the perspective of others who have been on this journey longer than me.
(Journey seems to be the right word to describe jazz. My other big musical love, punk… was always a destination. The journey was always secondary.)