What if Steve Reich hadn’t abandoned electronics? (He proudly left behind his Phase Shifting Pulse Gate at the beginning of the 1970s.) By the time the classic minimalists could phase with sample-accurate precision, they had already given up--having long since gone all-in on live musicians. Noble. But they left something on the table. Joshua Fried is picking it up. And finding a vast, almost fractal terrain of mind-melting patterns.
Fried also found a way to bend time as fluidly as Phase Patterns or Drumming without losing the pulse. So it's also kinda like drugged-out digital Philip Glass. But really, it's all Joshua Fried, dating back to his Howard Johnson/Affirmative of the '80s. Track was mastered by Scott Hull (Steely Dan, David Bowie).